Villain, But Make It Iconic:  Shah Rukh’s Boldest Role

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When he was not the King of Romance yet, SRK took the risk to be dark. His villains weren't monsters—they were heartbreaks packaged in charm. 

Ajay Sharma wasn't wicked—he was shattered. SRK had us cheering for a murderer because his hurt was intimate, not melodramatic.

Baazigar (1993) 

Rahul Mehra's stammering "K-k-k-Kiran" wasn't merely eerie—it was legendary. SRK redefined stalking as a haunting depiction of love turned sour.

Darr (1993)

Vijay Agnihotri took no for an answer. SRK demonstrated how privilege and heartbreak turn a man into something monstrous.

Anjaam (1994)

He wasn't merely bad—he was chic. SRK's Don depicted crime as art, with each smirk concealing a fatal move.

Don (2011)

Manu was untamed, Bablu was lovely. SRK enacted both with panache, demonstrating the possibility of villains being comical—and hazardous to your health.

Duplicate (1998)

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